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The Greatest Love Song of the Past 50 Years

By Aaron Wulff
The best love song the Beatles ever recorded (arguably) wasn’t written by Lennon or McCartney. It was written by the quiet one, on a piano, in an empty studio, while the band imploded (and chain smoked) in three other rooms.
George Harrison was 25, and they maybe gave him one song per album if he begged enough. So he walked out with the best track on Abbey Road. Lennon, not a compliment machine, called it the best song on the album. Yoko called it “[inaudible screech.]”
The first line isn’t even his. “Something in the way she moves” is a James Taylor song title. Taylor was a kid signed to the Beatles’ own label, Harrison admitted the borrow, and nobody sued anybody. Imagine writing a line so good a Beatle takes it to the bank.
Harrison’s first move with the song was to…er, give it away? He offered it to Joe Cocker, who recorded it off George’s demo. But Harrison also pictured Ray Charles singing it, and Charles obliged, eventually.
But his favorite cover? James Brown’s. “I have it on my jukebox at home. It’s absolutely brilliant.” The quiet Beatle’s favorite version of his own love song belongs to the Godfather of Soul. Trivia night gold!
Frank Sinatra called it the greatest love song of the past 50 years, performed it for years, recorded it twice, and introduced it as a Lennon-McCartney song. Everyone was probably too scared to correct him.
Sinatra also changed a bridge line, and Harrison liked the change enough to sing it himself. Misattributed and edited by the Chairman of the Board, and George kept the edit. Saint or pushover, you decide.
In 2002, a year after George died, McCartney opened the Concert for George by playing it alone on a ukulele, because Harrison loved ukuleles. Check your pulse if that does nothing for you.
Now the part where things fall apart (not really). I would desperately love for you to dance a Rumba to it, because I love this song, and as you’ve probably figured out by now, I love the Rumba. But at 134 BPM, I can’t in good conscience recommend it. Now, it can be done. But it’s going to be brisk and probably feel rushed. The song is relatively short so you could probably pull it off, but it’s better suited for Nightclub Two-Step.
Straight 4/4, start to finish, carried by that descending guitar line that opens the song and keeps checking back in like it forgot its keys. The catch: it’s gentle, and it’s not.
You start with soft drums, strings swelling under the verses, no kick drum to hide behind. The first verse might feel floaty until it settles into the steadiest of slow grooves. The middle changes key and it sounds like things are about to go down. If you’ve got some fancy figures use them here. It runs 3:03, which is just over the max allowable borderline for respecting your guests’ attention span. Three seconds of overtime, but it earns them.
This is a song about being sure of somebody. The greatest love song of the past 50 years is also one of the most danceable slow songs the Beatles ever made. Unfair combination. Use it anyway. Your parents will cry, your instructor will relax, and somewhere Sinatra is nodding along, giving ol’ George a royal snub.
✓ PROS
- ✓Steady
- ✓Sinatra-approved
✕ CONS
- ✕Fast for a Rumba
🎧 ALTERNATE VERSIONS
Shirley Bassey, Frank Sinatra, James Brown


